I also love these insect eyes but don't know how or if I could incorporate the combination of colour shape and iridescence into a textile piece.
The coursefile suggests making at least 2 large drawings based on this source material. I have already done some, including the moth's eye study above.
I started with a shape and then colour study of the combination of sound waves and wing structure.
Shapes of sound waves within the wing |
The colour didn't come out right. I was using inks which are not as straightforward as designers gouache to mix. And I was pressed for time.
My attempt at a colour study of sound waves in the wing using water-soluble inks |
The pattern of the sound waves giving the
structure of the wing did appeal to me a great
deal, though.
I wondered if I could achieve this effect, of the waves at the edges of the wing sections, using the tapestry-weaving technique I learned the last section of this course.
Then I did a collage to reflect and explore the textures of the felt image. I liked trying out new variations on the shapes of the holes and I learned how it is less the individual holes but more the relative sizes and the columns of them that gave the overall pattern. At the end of this I wanted to try out a similar thing using a stiffer material to reflect the stiff exoskeleton.
I drew wiggly lines on the crumpled tissue paper underneath to see how this reflected the sound waves rising up behind me when I hear cicadas.
This was not particularly successful, although the light fragile qualities of the tissue paper itself were good for this image.
I think this one needs to be developed further, using the particular patterns of veins on the wing, perhaps, and making the wiggly sound waves either more complex, or more mechanical-looking.
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